Smuggling filming equipment to Thailand

THIS WAS IN THE NINTIES!

We dressed up as sporty people carrying sports equipment in sports bags but in those bags we had hidden a huge U-matic camera and big heavy recorder and 25 tapes each being about 25cm long and 5 cm high! We also hid a really big stand for the camera. Crazy but we knew we would not get a filming permit. Our subject was child labor and child prostitution.

This was my first real documentary after I studied video making in New York. Trade Union Solidarity Centre of Finland ordered this doc and off we went with my Londonese friend Emma Doubell being an audio person as I was to film. In Bangkok airport we had to pass very official military type personnels who were standing in both sides of a pedestrian line through customs. It was scary but we were not stopped!

I had researched and contacted local NGOs working with these issues via normal air mail. Those times it was the only possibility. So once in Bangkok we had people to talk to and ask for advice. We were offered a seat in a van which regularly went back and forth between Thailand and Malaysia to look for kidnapped children. We decided to stay in the city and start looking for the evidence of child abuse there.

HIDING IN A RAILWAY STATION

As we saw that young boys were brought by train in groups we decided to hang around main railway station 24/7 and film those. Local taxi drivers were linked to this system and they soon noticed us. One came to offer “a free trip” around Bangkok. We declined and decided it was time to move on.

We found small waiting rooms where boys were taken and everywhere in the streets you would see kids working in small workshops! Often with very dangerous looking machines, too. Very big brothels were also everywhere and to be noticed with neon signs and having children in them.

In the sex industry area of the city we bought one girl and interviewed her. We found out that buyers go to Northern Thailand to small villages to offer work for kids in exchange to fridge for the family, for example. Of course it is never told that this is sex work!

It was painful to find big tents in outskirts of Bangkok in which girls were sitting on huge rotary wooden levels ready to be picked up by rich buyers, looking a lot like Arabs. We certainly did film this very secretly from outside the tent through small holes in canvas not to be caught.

DIVING DEEPER

We wanted to understand more and joined in one international conference for child trafficking. We learnt the routes they use. Heard of lawyers who help in rescue cases to return children to their families. Up in Northern Thailand there was one beautiful healing center for young people who had been rescued. It felt really good to film there!

We also went to Chiang Mai area and looked for skills training centers for indigenous children which were run to try to prevent them leaving South. These girls were so innocent and so shy, all dressed in indigenous clothes, that comparing them to outrageous girls in Bangkok sex tourism area made me realise that drugs are used to change their behaviour.

Thailand was quite chaotic those times. We could not leave our equipment anywhere so one of us had to always stay behind when another one was sightseeing little bit. Loved those temples and canals but our subject being so serious that month was quite dedicated to work.

We found street boys´ home in Bangkok. Boys were free to come and go and many were heavily addicted to glue sniffing. We had lots of fun there playing football and hanging around. I felt like staying there. Could I be of any use? Later I had an inner revelation that in each country there are born people to help locals and my place was not there.

We went to slums to see if there was anything done for kids. Surprisingly we found a school there that was trying to keep kids in order. Somehow I left with hopeful and hopeless feeling at the same time. Some people in NGOs believed that kids working in factories is a necessary intermediate stage to improve Thailand towards more modern society.

DO I SAVE TAPES OR CAMERA?

We had Russian Aeroflot plane to take back home via Moscow as it was the cheapest one to book. We couldn’t take both our equipment and 25 huge tapes as carry-on baggage. Which ones to be ready to loose? We decided to take tapes with us. Good for us as we got stuck in Moscow airport for few days due to missing connecting flight. Finally we got everything back in Helsinki in one piece, including us!

We made about an hour long documentary SOS.STOP for SASK. As we had so much extra material filmed we decided to make another one being more like a very long music video as Emma was a techno DJ those times. This we edited in London and this one you can watch below. From the original one I unfortunately only carry a bad quality VHS tape!

Heartware – Childworkers in Thailand
“Music video version” of an original documentary SOS.Stop
Filming, research, script and direction: Seija Hirstiö / Heartwaves Design
Soundtrack: DJ Echomiss
Editing: Seija Hirstiö, Raimo Uunila, DJ Echomiss
Paintings: Marita Liulia
1991